Hey precious,

So yesterday, I told you to:

• Study the greats.
• Dissect their work.
• Steal their rhythm like Led Zeppelin stole Stairway to Heaven.

And from there, emulate the structure of what moves you and make it your own.

But here’s something you might be too polite to ask:

“Godfrey… how do I do that without sounding like a cringelord?”

Smart question.

Here’s the answer:

You steal the principles, not the performance.

Let me explain.

When Tarantino borrows from old kung fu movies, he doesn’t rip off scenes shot-for-shot and call it homage.

He studies why those scenes work —then rebuilds them through his own voice.

Same with The Beatles.

They didn’t copy Little Richard’s songs —they copied his swagger, his melodic instinct, his energy on the mic etc.

That’s the key, precious.

It’s not about cloning someone’s writing style and becoming a cover band.

It’s about extracting what’s powerful and reshaping it in your voice.

Here’s a wee framework I use whenever I'm feeling stuck:

1. Imitate the structure - not the content.

Ask: Why does this opener work? Why is the rhythm punchy? Why is the conclusion satisfying?

2. Steal the technique - not the words.

Notice sentence length.

Notice metaphors.

Notice pacing.

Then try using similar tools on a completely different topic.

3. Inject yourself back into the mix

Once you’ve studied the form, bring in your ideas, your tone, your contradictions.

This is how it becomes yours.

Otherwise it's just cheap fanfiction.

If you’re worried about sounding like a copycat — good.

That means you care deeply about your voice.

And ironically, that awareness is what will stop you from sounding like a clone.

You just need time in the trenches.

Keep stealing from the right places.

Keep making it your own.

And keep making your creative muse proud.

Have a gorgeous Sunday,

Godfrey

PS. Click here to get Medium Mastery.